Two performers, two improvised sets, one hour; a daring feat of strength and stamina. Watch veteran improvisers Fred Brown and Scott Pettis perform two very different improv styles. First, the form known as the "Tj & Dave," – patient, theatrical, naturalistic. Second, the "Zumpf" – fast, bold, always moving. Whether you're simply looking for an
Kirk stars in "Lend Me a Tenor", winner of 3 Tony Awards and 4 Drama Desk Awards. A sensation on Broadway and in London's West End, this madcap, screwball comedy is guaranteed (not a guarantee) to leave audiences teary-eyed with laughter.
Kirk stars in "Lend Me a Tenor", winner of 3 Tony Awards and 4 Drama Desk Awards. A sensation on Broadway and in London's West End, this madcap, screwball comedy is guaranteed (not a guarantee) to leave audiences teary-eyed with laughter.
Kirk stars in "Lend Me a Tenor", winner of 3 Tony Awards and 4 Drama Desk Awards. A sensation on Broadway and in London's West End, this madcap, screwball comedy is guaranteed (not a guarantee) to leave audiences teary-eyed with laughter.
Fred Brown (NARSH!'s coach) will be teaching a class on a variation of The Deconstruction, an advanced improv form: https://wiki.improvresourcecenter.com/index.php/Deconstruction The goal of the class is to use that form to strengthen and isolate different improv muscles: grounded two-person scene work, heightened absurd matching scenes, straight/absurd game-play, and a fast-paced call-back heavy run. You'll finish
Fred Brown (NARSH!'s coach) will be teaching a class on a variation of The Deconstruction, an advanced improv form: https://wiki.improvresourcecenter.com/index.php/Deconstruction The goal of the class is to use that form to strengthen and isolate different improv muscles: grounded two-person scene work, heightened absurd matching scenes, straight/absurd game-play, and a fast-paced call-back heavy run. You'll finish
Have you ever gotten 45 seconds into a scene and realized that you forgot to care about anything at all? Have you ever heard the other character in a scene say, “that’s why we’re best friends” and thought, “my character is dead inside”? This class will focus on exercises and two-person scene work that helps
Mary Ann's Class Show.
Think of a wheel and you will be able to picture the structure of the Spokane. At the center is the ”hub” scene which is a central group scene. The “spokes” are tangential scenes extending out from the hub scene through tag-outs. The Spokane utilizes improv skills such as: character, environment, game, listening, tagging, and
Mary Anne is on an Arcade house team.
